idea, focussing on useing different materials in relation to the body
The designer, Iris van Herpen showcased her five new architectural looks alongside her previous pieces for the Haute Couture collection, combining 3D printing with hand-made processes. The result is a remarkable overview of Iris’s works that featured her profound craftsmanship and her skillful grasp of the materials in relation to the body.
The theme of electricity featuring 3D-printed ensembles.
For her fourth collection, Dutch designer Iris van Herpen takes on the theme of electricity featuring 3D-printed ensembles.
my own creation made from tin foil, thought the texture resembled `electricity`.
turning traditional ladies garments, into something more subversive and architectural/sculptural
idea - turning traditional ladies garments, into something more subversive and architectural/sculptural
I love this architectural and monochromatic Autumn/Winter 2012 collection by Dutch fashion designer Hellen van Rees, brimming with the signature cubic projections woven into the Chanel tweed-like garments which are made of recycled yarn.
Designer’s words:
This collection was inspired by the tweed fabrics used by Chanel, the straight silhouette of 1920′s flapper girls and 3-dimensional artworks by Anish Kapoor and Rachel Whitebread. The textile is the binding factor of the collection. It’s completely handmade, from recycled yarns woven one by one directly in the shape of the garment. Not wasting anything and making the garment including the cubes totally seamless as it’s woven 3-dimensionally. The yarns and base textile are production factory remnants or old fabrics and scraps taken apart. So the collection is sustainable. The cubes added are all in the same textile making the garments, that are based on very traditional ladies garments, into something more subversive and architectural/sculptural. The blocks themselves are very light, so they don’t distort the garment. Also often they’re attached to a pleated skirt allowing them to swoosh in movement making a seemingly static silhouette suddenly dynamic.
This collection was inspired by the tweed fabrics used by Chanel, the straight silhouette of 1920′s flapper girls and 3-dimensional artworks by Anish Kapoor and Rachel Whitebread. The textile is the binding factor of the collection. It’s completely handmade, from recycled yarns woven one by one directly in the shape of the garment. Not wasting anything and making the garment including the cubes totally seamless as it’s woven 3-dimensionally. The yarns and base textile are production factory remnants or old fabrics and scraps taken apart. So the collection is sustainable. The cubes added are all in the same textile making the garments, that are based on very traditional ladies garments, into something more subversive and architectural/sculptural. The blocks themselves are very light, so they don’t distort the garment. Also often they’re attached to a pleated skirt allowing them to swoosh in movement making a seemingly static silhouette suddenly dynamic.
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